By George Jones
Boozing. Womanizing. Brawling. making a song. For the final 40 years George Jones has reigned because the country's king--the singer many have referred to as the Frank Sinatra of nation. And for many of that point, his profession has been marked through hard-living, hard-loving, and tough success. From his early east Texas recordings via his marriage with Tammy Wynette to his most modern acclaim as an excellent citizen and "high-tech red-neck," american citizens were eager about Jones, by no means even figuring out no matter if he's going to teach up for his subsequent concert.
Now, in I Lived to inform all of it, George Jones provides a no-holds-barred account of his excesses and ecstasies. How alcohol governed his existence and performances. How violence marred many friendships and relationships. How cash used to be whatever to be made yet by no means hung on to. And, eventually, how the affection of a very good girl can eventually swap a guy, redeem him, and retailer his lifestyles.
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Additional info for I Lived to Tell It All
The flowers open in the early morning and close in the late evening, telling what o’clock it is by the diurnal cycle of nature. Although the title and the figure’s action suggest an anecdotal approach, a bucolic mood prevails. Green to golden to gray-white flowers scattered through the grass, some in bud, some in full bloom, and some gone to seed, allude to time’s passage in nature. The young girl who lies so naturally among the wildflowers will herself soon blossom into full womanhood, leaving behind the early morning of her innocence and youth.
In turn, Hovenden kept his patron specifically informed about what he was painting, often expressing his doubts and hopes for his works’ reception at the Salon or at exhibits in the United States. 45 Hovenden’s experience abroad, as for other “new men” who studied in Europe, proved to be pivotal for him as an artist. His training under Alexandre Cabanel (1823–89) was crucial in the shaping of Hovenden’s style and his attitudes about art. The impact of Hovenden’s introduction to Paris and his study under the celebrated Cabanel was immediate and enduring.
Image courtesy of Thomas Colville Fine Art. 38 CHAPTER 2 28. The Image Seller, 1876. Oil on canvas, 321⁄2 ן241⁄2 in. Location unknown. Photograph: Archives of the Peabody Institute, Baltimore. Mr Hovenden told of an early study of his in Brittany of a girl knitting by an open casement, where the sunlight was shining full upon a roof opposite. ” “I tried to see it, and my judgment said my friend must be right,” said Mr. Hovenden, “but I could not. . ”26 Hovenden’s advancements in A Sunny Day are evident in his refinement of design, delicacy of tonal harmony, and sensitivity to light.
I Lived to Tell It All by George Jones