By Jens Månvinge
Efter att ha jobbat i den thailändska regnskogen beslutar sig Jens Månvinge för att ge sig av until eventually Bangkok och fixa sin trasiga ekonomi. Det är ett ödesdigert beslut som blir upprinnelsen until eventually en skakande historia. Det dröjer inte länge förrän han blir gripen för ett grovt narkotikabrott i centrala Bangkok där amerikansk och thailändsk polis ligger och väntar i ett bakhåll. Domen faller och han undgår dödsstraff efter att ha erkänt sig skyldig. Med ett straff på trettio år kastas han in i Asiens mest ökända fängelse. Tillsammans med 12 000 fångar är hans öde, likt deras, förutspått att falla provide för våld, förtvivlan och sjukdomar. Döden tycks vara den enda vägen ut.
När hans närmaste vän i fängelset dör i hans armar fattas ett beslut. Jens och en cellkamrat beslutar sig för att försöka rymma.
Den senila skalbaggens tröst är en sann historia och Jens Månvinges egen gripande berättelse om sina år i Asiens mest beryktade fängelse - Klong Prem criminal - bättre känt som "Bangkok Hilton".
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Extra resources for Den senila skalbaggens tröst
The flowers open in the early morning and close in the late evening, telling what o’clock it is by the diurnal cycle of nature. Although the title and the figure’s action suggest an anecdotal approach, a bucolic mood prevails. Green to golden to gray-white flowers scattered through the grass, some in bud, some in full bloom, and some gone to seed, allude to time’s passage in nature. The young girl who lies so naturally among the wildflowers will herself soon blossom into full womanhood, leaving behind the early morning of her innocence and youth.
In turn, Hovenden kept his patron specifically informed about what he was painting, often expressing his doubts and hopes for his works’ reception at the Salon or at exhibits in the United States. 45 Hovenden’s experience abroad, as for other “new men” who studied in Europe, proved to be pivotal for him as an artist. His training under Alexandre Cabanel (1823–89) was crucial in the shaping of Hovenden’s style and his attitudes about art. The impact of Hovenden’s introduction to Paris and his study under the celebrated Cabanel was immediate and enduring.
Image courtesy of Thomas Colville Fine Art. 38 CHAPTER 2 28. The Image Seller, 1876. Oil on canvas, 321⁄2 ן241⁄2 in. Location unknown. Photograph: Archives of the Peabody Institute, Baltimore. Mr Hovenden told of an early study of his in Brittany of a girl knitting by an open casement, where the sunlight was shining full upon a roof opposite. ” “I tried to see it, and my judgment said my friend must be right,” said Mr. Hovenden, “but I could not. . ”26 Hovenden’s advancements in A Sunny Day are evident in his refinement of design, delicacy of tonal harmony, and sensitivity to light.
Den senila skalbaggens tröst by Jens Månvinge