By David Baker
A 3 quantity sequence that incorporates the scales, chords and modes essential to play bebop tune. a good creation to a method that's such a lot influential in modern tune. the 1st quantity comprises scales, chords and modes most typically utilized in bebop and different musical kinds. the second one quantity covers the bebop language, styles, formulation and different linking workouts essential to play bebop tune. a good advent to a mode that's so much influential in contemporary track.
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Extra resources for David Baker's How to Play Bebop 1
I weave through a number of theoretical, methodological, and intellectual concerns in this study: ethnographic perspectives, historicism, cultural memory, practice theory, and self-reflectivity, among other tools that I use to engage musical analysis, interpretation, and criticism. . I believe there is value in exploring the historical grounding of my own musical profile. . I hope to give some idea about how I learned that music possesses a power; in particular, the power to mean something important about the world around me.
Why? Because my father was a founding member of Irakere. It was one of the best groups in Cuba for 35 years. Since I was born, I was hearing all kinds of music, Latin jazz and African styles in a strong way. That’s my roots. And also, I learned about my neighborhood. indb 36 7/21/15 7:25 AM ETHNOMUSICOLOGY STUDIES IN MUSIC CULTURE in the best neighborhood. I learned here about the roots of the African rhythmic patterns from the private parties, every weekend you can listen to the music. For each Cuban, the music is very important.
In my work, I teach and trace this back to the role of the African griots, storytellers, culture bearers, the genealogy, the history of the music, along with social-cultural meanings implied by the music. Edgaro: No, you are right, it’s understanding where this all came from. indb 37 7/21/15 7:25 AM CHAPTER TWO sound like Rubalcaba? What happened? What was the influence? It was the same time that Herbie Hancock was putting scratch into jazz for the first time on national television. Chucho Valdés and Herbie were friends.
David Baker's How to Play Bebop 1 by David Baker