By Ritu Gairola Khanduri
Caricaturing tradition in India is a hugely unique heritage of political cartoons in India. Drawing at the research of newspaper cartoons because the 1870s, archival study and interviews with famous Indian cartoonists, this bold learn combines ancient narrative with ethnographic testimony to offer a pioneering account of the position that cartoons have performed over the years in political conversation, public discourse and the refraction of beliefs significant to the production of the Indian postcolonial kingdom. retaining that cartoons are greater than illustrative representations of stories, Ritu Gairola Khanduri uncovers the real power of cartoons as a visible medium the place stories jostle, background is imagined and contours of empathy are demarcated. putting the argument inside a much wider context, this thought-provoking ebook highlights the heritage and tool of print media in debates on loose speech and democratic techniques world wide, revealing why cartoons nonetheless topic at the present time.
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Caricaturing tradition in India is a hugely unique historical past of political cartoons in India. Drawing at the research of newspaper cartoons because the 1870s, archival examine and interviews with trendy Indian cartoonists, this formidable research combines historic narrative with ethnographic testimony to offer a pioneering account of the function that cartoons have performed over the years in political conversation, public discourse and the refraction of beliefs relevant to the production of the Indian postcolonial country.
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Additional info for Caricaturing Culture in India: Cartoons and History in the Modern World
In contrast, the profusion of local cartoon characters in the local editions of newspapers that comports 20 Introduction: the empire of cartoons well with local news and humor tells another story of commodiﬁcation and globalization. Collectively, ethnographic studies of visual culture in India have provided the opportunity to proceed beyond reception studies and know what people do with visual texts. In the process these studies contribute to the rich literature on art, popular prints, ﬁlms, and comic books.
Cartoon talk Through interactions, interviews, and intensive research in individual and institutional collections, I assembled an ethnographic archive of cartoon talk, creating it jointly with cartoonists, readers, fans, and activists. Cartoon talk took different forms – for example, through interviews I initiated it, in guest books it was already recorded, and in petitions the cartoon was verbalized and transcribed. Furthermore, I constructed talk as dialogue. For example, the history of the Common Man character emerged by converging published interviews and interviews I conducted.
Collectively, ethnographic studies of visual culture in India have provided the opportunity to proceed beyond reception studies and know what people do with visual texts. In the process these studies contribute to the rich literature on art, popular prints, ﬁlms, and comic books. The politics of seeing and sensing Even as ethnographic studies of media and, more broadly, visual experience in India are gaining ground, anthropologists and literary critics detect an “ocularcentric bias” in social science’s pictorial turn (Fabian 1983, Stoller 1989).
Caricaturing Culture in India: Cartoons and History in the Modern World by Ritu Gairola Khanduri