By D. Antoinette Handy
The 1st version of Black girls in American Bands & Orchestras (a selection notable educational ebook in 1982) used to be lauded for offering entry to fabric unavailable in the other resource. To replace and extend the 1st variation, convenient has revised the profiles of individuals featured within the first version, corrected omissions, and further own and profession evidence for brand new faces at the scene. Profiles are offered lower than the headings of orchestras and orchestra leaders, string avid gamers, wind and percussion gamers, keyboard gamers, and non-playing orchestra/band associates. positive aspects a hundred images.
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Extra info for Black Women in American Bands & Orchestras
Also, a review of the literature instantly revealed that the black female instrumentalist was slighted in areas outside of symphonic orchestral circles (though to a lesser extent) as well. " The only criterion for a black woman instrumentalist's inclusion was involvement with an instrumental ensemble wherein the performer functioned as a Page x member of the ensemble, rather than as a soloist, in a leadership or "followship" capacity. The omission of an individual from the Profile sections should not imply lesser significance.
Black Women in American Bands and Orchestras Second Edition D. Antoinette Handy The Scarecrow Press, Inc. , & London 1998 Page ii SCARECROW PRESS, INC. Published in the United States of America by Scarecrow Press, Inc. 4720 Boston Way Lanham, Maryland 20706 4 Pleydell Gardens Kent CT20 2DN, England Copyright © 1998 by D. Antoinette Handy All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher.
In practically all our orchestras women have won their way on their merits as musicians. As for Negro instrumentalists, they have not reached the ranks of the major ensembles. 4 If there are capable Negro musicians, they have every right to consideration ... [T]he addition of Negro players to the ensemble, assuming that they had stature as musicians, would be a benefit to our standing in countries like India ["Making Friends," January 22, 1956, p. X9]. Several capable black "musicians of stature" met with Taubman, and in April of the same year he wrote an article entitled "An Even Break," wherein he stated: For the Negro instrumentalist who wishes to make a career in the so-called long-hair fields of symphony, opera and ballet, the struggle is in its early stages.
Black Women in American Bands & Orchestras by D. Antoinette Handy