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Jonathan Bignell (auth.)'s Big Brother: Reality TV in the Twenty-First Century PDF

By Jonathan Bignell (auth.)

ISBN-10: 0230508367

ISBN-13: 9780230508361

ISBN-10: 1403916853

ISBN-13: 9781403916853

Jonathan Bignell offers a wide-ranging research of the tv phenomenon of the early twenty-first century: truth television, exploring its cultural and political meanings, explaining the genesis of the shape and its courting to modern tv creation, and contemplating the way it connects with, and breaks clear of, real and fictional conventions in tv. Relationships with surveillance, superstar and media tradition are tested, resulting in an appraisal of the instructions that tv tradition is taking within the new century. His highly-readable type is available to readers in any respect degrees of tradition and Media studies.

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Although Wife Swap assumes the possibility and even the desirability of television’s intervention into the home and the family, Piper shows that ‘the text collapses together ethical choices (the division of roles, childcare) with matters of taste and consumer preference’ (2004: 281), so that an easy identification of a norm becomes impossible. So Wife Swap offers a concrete example of a format devised by an independent production company, which combines an observational style with highly controlled and structured episode form.

British producer Conrad Green moved from the BBC in London to Los Angeles to become executive producer on Pop Idol, for example, and RDF Media’s Los Angeles office is run by former ITV production executive Joe Houlihan (Rogers 2005). RDF began its sale of formats to US television with a version of Scrapheap Challenge, commissioned by the cable channel TLC. The cable channel ABC Family acquired RDF’s Reality TV format Perfect Match, where The World is Watching 39 volunteers allow their friends to choose appropriate partners for them, and the male oriented cable channel Spike bought the company’s makeover series Ultimate Batchelor Pad (Wells 2003).

Pop Idol and its subsequent American version American Idol were created by Simon Fuller, the British former manager of the pop groups S Club 7 and The Spice Girls. The second series of American Idol ran twice a week from January to May 2003, with 34 million viewers watching the final programme on Fox (Jones 2003). This audience was the third biggest of the year, beaten only by the final of the American football final, the Superbowl, and the last episode of the Reality TV series Joe Millionaire.

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Big Brother: Reality TV in the Twenty-First Century by Jonathan Bignell (auth.)

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