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Read e-book online Australian Film Theory and Criticism: Volume 2: Interviews PDF

By Noel King

ISBN-10: 1783200375

ISBN-13: 9781783200375

A three-volume undertaking tracing key severe positions, humans, and associations in Australian movie, Australian movie thought and feedback interrogates not just the origins of Australian movie concept but in addition its relationships to adjoining disciplines and associations. the second one quantity within the sequence, this e-book gathers interviews with nationwide and overseas movie theorists and critics to chart the advance of alternative discourses in Australian movie experiences throughout the a long time. looking to research the location of movie theorists and their dating to movie practitioners and coverage makers, this quantity succeeds mightily in reasserting Australian film’s position at the foreign scholarly agenda.

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Localizing Global TV. Bristol, UK: Intellect, 2009–2010. TV Format Mogul: Reg Grundy’s Transnational Career. Bristol, UK: Intellect, 2012. Moran, Albert, Craik, Jennifer, and Bailey, Julie James. (eds). Public Voices, Private Interests: Australia’s Media Policy. Sydney: Allen & Unwin, 1995. Moran, Albert and Keane, Michael. (eds). Television Across Asia: Globalisation, Industry and Formats. London: Curzon, 2004. Moran, Albert and Keane, Michael. (eds). Cultural Adaptation. New York: Routledge, 2010.

In late 1974, I was interviewed for a position at Griffith in a warehouse in Salisbury in Brisbane, where the university was established while it was being built. And I got a job there as a tutor, one of two tutors in a staff of eight, I believe it was, in the School of Humanities when Griffith was about to start in February 1975. So, yes, a foundation staff member as it were, who was really employed because of having both the English and the History background to plug some of the tutoring gaps in the teaching staff there.

We were invited to do such a course by the Department of Fine Arts but we could not agree on how to go about it. It was going to be only one-third of the fine arts course. The existing staff were interested; Donald Brook who taught sculpture was flexible and he was interested in the possibility of having film study in the new Fine Arts department. Bernard Smith the professor was not very keen on the idea but went along with it. David Malouf was part of the discussion about what we would do. He suggested that we take one film, The Searchers.

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Australian Film Theory and Criticism: Volume 2: Interviews by Noel King

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