By Som Benegal
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Additional resources for A Panorama of Indian Theatre
Taft, ‘Honor and Alliance: Reconsidering Mughal–Rajput Marriages’, in Schomer, Idea, vol. 2, pp. 217–41, esp. pp. 230–3. Jadunath Sarkar, A History of Jaipur c. 1503–1938, revised and edited by Raghubir Sinh (Delhi, 1984), pp. 20–7. Highly critical of the negative views of Tod about Jaipur, Sarkar completed his manuscript in 1940, but according to the dust jacket, ‘Rajput sensitivity towards incidents depicting Mughal–Rajput relations, and other obstacles, prevented publication’. 21 Wink, Land, p.
116–17. Gordon, Marathas, pp. 132–77. Stewart N. Gordon, ‘Scarf and Sword: Thugs, Marauders, and State-formation in 18th Century Malwa’, IESHR 6 (1969), pp. 403–30. Stewart Gordon, Everyday Resistance and Negotiation in the Eighteenth Century Maratha Kingdom. , December 1987. Wink, Land, p. 75. 69 The Rajputs might gain interludes of indifference when the forces of the Scindias and Holkars fought each other. But they were plundered for resources when a dynamic, able ruler like Mahadji Scindia concentrated on collecting tribute from the Rajputs not only on his own behalf but also that due to his nominal overlord, the Mughal emperor.
40 Warrior or conquest states Although the use of military force to establish political dominance was a key factor in the formation of most princely states, here conquest states will be construed as a third category. It designates states established by warrior groups who contested with an overarching authority to establish new political entities by offering military protection to local populations. 41 The founders of conquest states were usually clan leaders who performed extraordinary services for a dominant ruler.
A Panorama of Indian Theatre by Som Benegal