By Sandra Richter
Because the Nineteen Nineties, following the tip of postmodernism, literary conception has misplaced a lot of its dynamics. This publication goals at revitalising literary thought exploring of its old bases: German poetics and aesthetics. starting within the 1770s and finishing within the Nineteen Fifties, the ebook examines approximately 2 hundred years of this heritage, thereby delivering the reader with a primary historical past of poetics in addition to with bibliographies of the subject
Read or Download A History of Poetics: German Scholarly Aesthetics and Poetics in International Context, 1770-1960 PDF
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Because the Nineties, following the tip of postmodernism, literary thought has misplaced a lot of its dynamics. This e-book goals at revitalising literary idea exploring of its historic bases: German poetics and aesthetics. starting within the 1770s and finishing within the Nineteen Fifties, the publication examines approximately two hundred years of this heritage, thereby delivering the reader with a primary historical past of poetics in addition to with bibliographies of the topic
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Additional resources for A History of Poetics: German Scholarly Aesthetics and Poetics in International Context, 1770-1960
Ed. Leipzig: Weber 1903. The same is true for Max Diez: Allgemeine Äs- 1. 35 These five developments are illustrated in the following figure, which represents a synchronal cross-section: thetik. Leipzig: Göschen 1906. (Sammlung Göschen 300), a popular work that saw two new prints with Göschen publishers (1912, 1919) and a third one with the recognised scientific publishers Walter de Gruyter (Berlin 1922). 33 For an overview see Emil Utitz: Grundlegung der allgemeinen Kunstwissenschaft. Stuttgart: Enke 1914.
Ernst Meumann: System der Ästhetik. 3rd ed. Leipzig: Quelle & Meyer. 1919. (1st ed. 1914). Theodor Ziehen: Vorlesungen über Ästhetik. 2 parts. Halle a. d. : Niemeyer 1925. Karl Groos: Einleitung in die Aesthetik. Gießen: Ricker 1892. Jonas Cohn: Allgemeine Ästhetik. Leipzig: Engelmann 1901. See for instance the often reedited and popular work by Robert Prölß that reduces aesthetics to a minimal amount of principles – and ends up merely stating common late 19th-century assumptions; Robert Prölß: Katechismus der Ästhetik: Belehrungen über die Wissenschaft vom Schönen und der Kunst.
In: Aesthetic Subjects, ed. by Pamela R. Matthews and David Mc Whirter. Minneanapolis, London: Univ. Press of Minnesota 2003, pp. 171 – 189. Christian Friedrich Daniel Schubart: Kurzgefaßtes Lehrbuch der schönen Wissenschaften für Unstudierte […]. e. Münster]: [Perenon] 1777, p. ” Carl von Dalberg: Grundsätze der Aesthetik deren Anwendung und künftige Entwickelung. Erfurt: Keyser 1791, p. 12, passim. ) and claims that they all help in politics as well. The dialogue with the count, dealing with a picture by Guido Reni (“Petrus”), serves as some kind of proof of Dalberg’s assumptions.
A History of Poetics: German Scholarly Aesthetics and Poetics in International Context, 1770-1960 by Sandra Richter